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Organizing

I moved with my mother to the United States from China when I was a child. Upon arriving in this country, my mother worked as a live-in domestic worker, housecleaner, and caretaker for children. I also lived with her in the homes of several American families in Colorado and New Jersey before we were able to be reunited with my father in the housing projects of New York City. These experiences from a young age taught me a lot about the difficulties of being an immigrant. I spent much of my childhood watching my parents struggle, sacrificing their own health and emotional well-being to raise me and my younger brothers. I've watched them get mistreated by employers and discriminated against in society. I've also spent parts of my childhood in households where I felt like a second-class citizen and servant, compared to the pampered children of my mother's employers.

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Throughout my twenties, I've worked as a community organizer for various immigrant rights organizations, I've been primarily driven by the need to better understand inequality in the United States, why people in the Hispanic and African-American projects I grew up in are trapped in a cycle of systemic poverty, and what life is like for other immigrant workers in New York City. I am also curious about the political circumstances of the country my parents ran away from, the history of the cultural revolution, the fate of the Chinese people during times of growing uncertainty across the globe. With China's rise in economic power, increasingly competitive with the United States, I worry about anti-Asian racism and how Chinese-Americans will be treated as tensions rise. I am interested in better understanding the relationship of the Chinese diaspora to other communities in North America, Africa, and other parts of the world. As a backpacker in my twenties, I took photos of Chinatowns in Latin America, and learned about the 苦力 coolie  system, in which Chinese were imported as slaves to Latin America. As a han 汉 (ethnic majority in mainland China), who grew up identifying with the minority politics and social justice language of the United States, I am particularly concerned with the treatment of indigenous, Muslim, and other racial minorities in mainland China, and the racial consciousness of Chinese people as China builds its Belt and Road.

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Read about the incredible work of the Street Vendor Project, and their campaign to the lift the caps on the number of licenses available to NYC vendors. Read here.

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Ms. Li, a Times Square Chinese art vendor, protests police brutality targeting Chinese workers who don't speak English.

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Read about their struggle here.

Over the years, I've been lucky to meet so many amazing activists, while working together on projects that are very dear to my heart.

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The project I've been most focused on recently is Red Canary Song - a collective of Asian sex workers who formed after the death of Chinese migrant massage worker Yang Song, who was killed in a police raid in Flushing, Queens. We participated in the Decrim movement in New York. We owe a lot to the support of allies and friends in the community.

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I'm currently taking time away to reflect on my intense work with Red Canary Song over the last three years, to reflect on all we've built together and all I've learned, to heal from burnout, to take accountability for mistakes, and to nurture other relationships. I need more time before I can write more about Red Canary Song.

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Read more about Red Canary Song's advocacy for Yang Song here.

In terms of building sex worker community, I am continuing to work on Red Light Reader as a creative platform and healing space with my dear friends Tea and Maya Morena. 

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In the past few years, I have also been a co-founder of the following projects:

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  • RadTech Monthly - Meetup for digital security & D.I.Y. hardware hacking 

  • HackBridge ("Sex Work to Software") & Moonlight (eco-art space for youth in street trades) at Sketch

  • Radical Lunch Series, urban rooftop permaculture, upcycled garbage fashion show -- at Surreal Estate

  • Weave-a-Dream: bringing student trips to Guatemala to fund scholarships and help build a school for indigenous Mayan girls in San Juan La Laguna, Guatemala

  • Chinatown Literacy Project (Chinatown Youth Initiatives) - connecting new immigrant elders with high school students for language exchange

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I've been lucky to be part of the following sex worker / immigrant labor organizing projects: Butterfly & Migrant Sex Worker Project (Toronto), Maggie's (Board member, 2015), Chinese Canadian National Council (Board member, 2015), National Domestic Workers Alliance, Street Vendor Project (community organizer through the Center for Community Leadership), Streetwise and Safe (intern for amazing Andrea Ritchie), Sex Workers Project (intern), Sex Workers Outreach Project (Board member 2014), Best Practices Policy Project, Red Umbrella Project, Global Network of Sex Work Projects, CAAAV volunteer. 

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I've also been involved in faith communities, including Unitarian Christian, Baha'i, and the Ethical Society, where I've been involved with the youth group FES (Future of Ethical Societies). I lived in a Buddhist monastery for some time after an assault while working as a sex worker, and converted to a strong dedication to Buddhist practice for forgiveness and loving kindness practice. The name "Kate Zen" came out of the contemplation of that time, and has stuck as a sex worker activism/pen name. My partner grew up in an Orthodox Jewish family. I'm very interested in focusing further on spiritual growth, especially in interfaith communities of tolerance with politically progressive values, that seek to embody universal values without being Euro-American/Western-centric.

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Butterfly and the 
Migrant Sex Worker Project in Toronto

Some community research reports I've contributed to.

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I often feel that art is selfish. Although I've always had an uncontrollable urge to make drawings and write picture books since I was a child, to express my overpoweringly strong emotions in a creative way, especially when I struggled with English and painful shyness from bullying in school that was (mis)diagnosed as autism -- I was often punished by my parents for wasting my time. I still feel guilty and irresponsible indulging in art when so many in my community are struggling to make ends meet.

 

To make art, I have to feel like it's coming from the right place. There is so much suffering in this world. It is better not to speak at all, than to speak from a place of ignorance and selfishness. In my twenties, I set aside a few years to give myself a chance to focus on art, and to find my voice through traveling, discovering community with migrant sex workers and activist collectives/squats in Europe, Canada, and living in (and curating events in) a consensus-run, freegan, anarchist bicycle-upcycle commune in Brooklyn with rooftop permaculture ambitions. However, the art I made in my early twenties, on this site, feels really immature and mostly just embarrassing. A part of me wants to honor and make space for this side of myself, because it comes from a natural reflex that is not wrong to have. In these last few years, I have focused mostly on political organizing in New York City, striving to better understand, and be more effective in serving/caring for others, as I learn to heal and let go of my own pains to focus on others. There's so much more room for growth.

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